Great thrillers to watch tonight

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What makes a great thriller? Well, we'll see. Are your palms sweating? Are your teeth clenched? Your heart is beating. Are your legs shaking uncontrollably? If so, the movie you are watching is likely to be working. If done well, thrillers can elicit more physical reactions than any

 

Reservoir Dogs
As for the breakthrough of Quentin Tarantino, nothing is brand new: the suit is a pure group of mice, the dialogue is enhanced by Scorsese, and even the plot is extracted from the Hong Kong thriller movie city on fire. But just like the mixture of family ingredients to make bombs, the result is burning. Reservoir dogs has changed cinemas, and we are still dealing with aftershocks (see baby driver's smooth criminals or the entire career of three billboard directors Martin McDonagh for evidence). But even if these are not true, it is still a pleasant film that can be experienced and re experienced: every line crackles like electricity, every performance is perfect, and every lens feels like a bucket of water. Since then, Tarantino has never approached it - but neither has anyone else.

Touch of Evil
As we all know, Orson Welles's participation in this extremely vulgar border thriller movie was meant to appear strictly in front of the camera: he was hired to play the bizarre corrupt Sheriff hank Quinlan, and that's all. It was the star Charlton Heston who lobbied wells to take over the reins of the director and supported him, at least initially, against the interference of Universal Studios. The result is an extremely rich Welsh film, which can be accepted by Citizen Kane: a cruel and clear sexual crime story; Sarcasm about race and prejudice; The sad lament of the wild and conformist America; And one of the most gorgeous director films of all time - even the dialogue scenes are like ballet. Universal didn't notice. They finally re edited the film against wells' wishes. It is only in the past 20 years that we have been able to appreciate this masterpiece almost according to the intention of the creator.

The Silence of the Lambs
Jonathan Demme's tension serial killer program is set in a troubled United States, where there is an undercurrent of violence hidden under its skin, bordering on the great thriller movie. Unconventionally found its Savior in the shoes of female law enforcers - FBI intern Clarice Starling (Judy foster, combining strength and vulnerability) - the silent lamb divided its horror into weird moths, creepy female butchers and man eating doctors Hannibal Lecter (Anthony Hopkins), a nightmarish manipulator, likes liver and broad beans. "The lamb" has extraordinary cross editing before its grand ending (the tortuous revelation makes your spine tremble). It is one of the greatest films of the 1990s and a rare thriller recognized at the Oscar ceremony.

The 39 Steps
Alfred Hitchcock's early thriller movie - his best British film - places a hapless innocent person at the center of the spy plot, consolidating many of the hallmarks of the genre. The plot of "wrong person" is the main plot of Hitchcock, which automatically puts us into the thrill on the screen: will our heroes find a way out of the dangerous world? There are some funny and humorous moments, such as the sad suspense when the hymn in the coat pocket conveniently blocks the bullet, and of course, a charming blonde (Madeleine Carol) is involved in this action. All these elements together constitute a wild ride, representing one of the most complete prosperity of the master style.

The Maltese Falcon
John Houston's wonderful adaptation of Dahir Hammett's black thriller movie has many advantages. It is difficult to know which parts should be praised first: the plot is intense; Villains are very slippery (especially the "fat man" of greenstricht in Sydney and Joel Cairo of petrol); Mary Astor's femme fatale is a kind of sexy and immoral happiness; The nominal black Figurine Macguffin is very iconic, and the props themselves sold for $4 million at the auction. (for the 12 inch bird that once fell on Humphrey Bogart's foot during shooting, this is already a lot.) What about heroes? Sam spade is everything you want from a black criminal policeman: the whip is smart, the bite is tight, arrogant, and undaunted by the pea shooter you pointed at him. It is not even that he is a particularly good person, but that other people around him are much worse than him. Bogie's spade is the embodiment of a new Hollywood protagonist emerging in the war years: a person who can slide from heroism to disgust and return again in the same glass of whisky.

Les Diaboliques
A creepy boarding school, a terrible headmaster, his wife who has been quietly fed up with, and another disgruntled lover - thrillers rarely have more than suspense. Alfred Hitchcock Henry George Crusoe, a native of France, subversively combined the timid spouse (Vera Crusoe, the director's wife, played a plain Jane with braids) and the hedonistic Mistress (Simone sinoret, a provocative appearance) into a revenge murder plan against their common enemy. Crusoe used every device he could use: Weird corridors, dirty swimming pools, refreshing children. The result was a truly scary thriller movie that affected psycho. Crusoe's demonic nail biting climaxes with such a domino reversal that it even has a title card at the end, asking the audience not to destroy the film for others. Don't expect to know who is cheating before the last frame.

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